Senior Production Leadership

Horizon Worlds was many things — chaotic, ambitious, constantly evolving, and never boring. What made it work was the people: a tight internal team operating with trust and clarity, and external partners brought into that same collaborative fold. The platform's volatility created an unusual freedom to experiment, iterate fast, and learn things you can't learn anywhere else. At Koffeecup, we carried that spirit into Roblox and Epic's UEFN, running small teams with better tooling, building trust quickly, prototyping fast, and shipping into a brief that was still being written.

For nearly 5 years of my life, from the moment I played Red Alert in 1996 until starting production in late 2000, my career goal and life dream was to work on a Star Wars RTS. You can imagine how thrilled I was when I found out that we'd be building SWGB with Ensemble Studios' Age of Empires II engine.

Planet Moon was that place. Small, independent, and creatively ambitious. We had the opportunity to pitch and develop a passion project and original IP with Microsoft for several months, amongst other fun and ambitious work. If I were a dog and you yelled HOME this is where I'd run to.

BioShock is legendary. We built a top notch team in Montreal, and an outstanding network of co-development partners around the world. Still rooting for this one to come out.

TOMB RAIDER! So much bigger and complex than the games I'd been working on. Managing the narrative, script, and VO sessions was so much fun, a career highlight. Began using data to help drive production decisions, as well as my first foray into co-dev and outsourcing.

My professional side quest. It's hard to summarize what I learned here, because I was learning every single day. Our small team of 4 managed the entire web presence for 2K and its major franchises, recruiting, my2K loyalty program, and email marketing.